Mackie 1642VLZ4 16-channel Compact Analog Mixer with 10 Onyx Preamps

Description

Mackie 1642VLZ4 16-Channel 4 Bus Compact Mixer

The 16-channel 1642VLZ4 delivers the proven performance of Onyx preamps in a compact 4-bus mixer design, perfect for bands, clubs and more.

From every input to every output, the 1642VLZ4 is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.

Plus, it is truly “Built-Like-A-Tank” with a ridiculously rugged solid-steel chasis that includes high-contrast controls for ultimate tactile control.

And with features like an expanded return section for no-hassle system integration, plus a dedicated control room section, the 1642VLZ4 is the go-to mixer choice for any application that demands flexibility and professional performance.

Product Features:

16-channel mixer featuring our signature high-headroom, low-noise design

10 boutique-quality Onyx mic preamps

Ultra-wide 60 dB gain range

128.5 dB dynamic range

+22 dBu line input handling

Extended frequency response

Distortion under 0.0007% (20 Hz – 50 kHz)

Improved RF rejection, perfect for broadcast applications

Phantom power for condenser mics

16 high-headroom line inputs with +4/-10 operation control

3-band EQ (80 Hz, 2.5 kHz, 12 kHz)

18 dB/oct 75 Hz low-cut filter on mic input channels

Four aux sends, level, pan and PFL solo on each channel

Four stereo returns for connecting FX processor or other stereo source

60 mm long-wearing log-taper faders

ALT 3/4 stereo bus for added routing flexibility

Control room / phones source matrix

High-resolution 12-segment stereo meters

Sealed rotary controls resist dust and grime

“Built-Like-A-Tank” rugged steel chassis with powder-coat finish

High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback

Rack-mountable design using optional rack ear kit

Multi-voltage power supply for worldwide use

Product Specifications:

Main Mix Noise

(20 Hz-20 kHz bandwidth, 1/4″ main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right.)

Main Mix Fader Unity, Channel Faders Down: -86.5 dBu (90 dB Signal to Noise Ratio, ref +4 dBu)

Main Mix Fader at Unity, Channel Faders at Unity: -86 dBu

Total Harmonic Distortion (THD)

(1 kHz at 35 dB gain, 20 Hz-20 kHz bandwidth)

Mic In to Insert Send: <0.0007%

Attenuation / Crosstalk

(1 kHz relative to 0 dBu, 20 Hz-20 kHz bandwidth, line in, 1/4″ main out, gain at unity)

Channel Mute Switch Engaged: -82 dBu

Channel Gain Knob Down: -82 dBu

Frequency Response

Mic Input to Main Output (gain at unity):

+0, -1 dB, 20 Hz to 50 kHz

+0, -3 dB, <10 Hz to >100 kHz

Equivalent Input Noise (EIN)

(Mic input to insert send out, max gain)

150 Termination:

-128.5 dBu

20 Hz-20 kHz

Common Mode Rejection Ratio (CMRR)

1 kHz: Better than -70 dB

Maximum Levels

Mic In: +22 dBu

All Other Inputs: +22 dBu

Main Mix TRS Out and XLR Out: +28 dBu

All Other Outputs: +22 dBu

Impedances

Mic In: 2.5 k

Channel Insert Return: 2.5 k

All Other Inputs: 10 k or greater

Tape Out: 1.1 k

All Other Outputs: 120

3-Band EQ (Channels 1-8)

High Shelving: 15 dB at 12 kHz

Mid Peaking: 15 dB sweep 100 Hz – 8 kHz

Low Shelving: 15 dB at 80 Hz

Low Cut Filter: 18 dB/octave, -3 dB at 75 Hz

4-Band EQ (Channels 9-16)

High Shelving: 15 dB at 12 kHz

Hi Mid Peaking: 15 dB at 2.5 kHz

Low Mid Peaking: 15 dB at 400 Hz

Low Shelving: 15 dB at 80 Hz

Low Cut Filter: 18 dB/octave, -3 dB at 75 Hz

AC Power Requirements

Power Consumption: 50 watts

US, JP: 100 – 120 VAC, 50 – 60 Hz

EU, UK, AU, CN: 200 – 240 VAC, 50 – 60 Hz

Operating Temperature:

0 – 40 degrees C

32 – 104 degrees F

Fuse Rating

100-120V: 1A slo blo, 5 x 20 mm

220-240V: 0.5A slo blo, 5 x 20 mm

Physical Properties (product)

Height: 16.7 in / 425 mm

Depth: 5.2 in / 131 mm

Width: 16.6 in / 421 mm

Weight: 18.2 lb / 8.3 kg

Physical Properties (packaged product)

Height: 9.4 in / 239 mm

Depth: 19.9 in / 505 mm

Width: 21.3 in / 541 mm

Weight: 21.0 lb / 9.5 kg